It has a decent ludicrousness and Mann's one-of-a-kind talent for using digital photography and naturalistic light to complicate and invigorate anonymous spaces.. Hints of a quasi-apocalyptic chill seem arbitrary-neither symbolic nor dramatic. The effect is like watching software run itself.. About as thrilling and current as a first-generation Atari game system, an exercise in sleek redundancy where words like "malware" and are supposed to generate shivers of excruciating anticipation.. "Blackh...
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